About
PromWrite
Asaolu Timilehin: Screenwriter, Script Doctor, Screenplay Editor, Story Consultant
Professional Introduction
I'm Asaolu Timilehin, working under the name PromWrite. I write, develop, and edit screenplays for filmmakers, producers, and other storytellers, working across features, shorts, and episodic formats, and partnering with clients from a project's earliest concept through to a production-ready draft.
My focus is on craft that holds up under scrutiny: structure that supports the story it's carrying, dialogue that sounds like the character speaking it, and a process that keeps you informed at every stage rather than disappearing until a deadline. If you're not sure which stage your project needs, that's a normal starting point. The Process page walks through how a typical project moves from a first conversation to a finished script.
Creative Philosophy
A screenplay is a working document before it's a finished one, built to be read, understood, and acted on by directors, actors, and collaborators who weren't there when the idea first came together. That shapes how every project gets approached: structure has to hold up under scrutiny, dialogue has to sound like the specific person saying it, and every choice on the page should be doing a job, not just occupying space.
That belief shapes the notes I give and the choices I make on the page. Nothing gets included because it sounds nice, and nothing gets cut just because it's difficult. A scene earns its place by doing something a different scene can't, and a line of dialogue earns its place by sounding like nobody else in the script could have said it.
Approach to Screenwriting & Development
Listen before writing
Every project starts with understanding what you're actually trying to say: genre, tone, audience, and intent, before a single scene gets drafted.
Structure first, prose second
Story and structural decisions get made before pages are written, so revisions stay structural rather than starting over from scratch.
Honest, specific notes
Feedback is direct and tied to what's actually on the page. It's useful because it's honest, not just encouraging.
Built for how scripts get used
Every deliverable is built with its real-world use in mind. A script that needs to be read by a director is a different document than a treatment built to pitch financiers.
Who I Work With
- Independent filmmakers and directors
- Producers and production companies
- Authors adapting their own work
- Actors developing projects
- Content creators moving into narrative film and TV
- First-time and aspiring screenwriters
Types of Projects I Handle
- Feature films
- Short films
- TV pilots and series
- Web series
- Novel and story adaptations
- Existing scripts needing editing, rewriting, or doctoring
Why Clients Choose to Work With Me
The work spans the full lifecycle of a screenplay: writing, development, editing, rewriting, analysis, and packaging. That means a project doesn't need a different specialist at every stage. That continuity keeps a project's voice and vision consistent from the first development conversation through to a production-ready draft.
Every project follows the same seven-stage process outlined on the Process page, so you always know what stage you're at and what happens next. Notes and feedback are direct, specific, and tied to what's actually on the page, because that's what actually helps a script get better.
Have a project in mind?
Tell me about it: genre, format, and where things stand, and we'll figure out the right starting point together.